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Pulling Teeth

by The Giant Peach

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1.
Want 03:07
With the shades pulled down, dissolving into your couch, I stare at the floor so I don’t stare at your mouth. This is what I wanted for me. This is what I wanted to be all this time. She’s rolling her eyes as I preempt my regret, and she avers that I’ve been hedging my bets. This is what I wanted for me. This is what I wanted to be all this time. And, by the door, you’re finally telling the truth; I swallow my tongue ‘cause I don’t know what to do. This is what I wanted for me. This is what I wanted to be all this time. And maybe I lied or maybe I liked it, but I’ll keep it inside because this wasn’t my kiss. And maybe I’m fine or maybe I’m hiding. This is what I wanted for me. This is what I wanted to be all this time. This is what I’m starting to see: maybe you just weren’t meant to be mine.
2.
Waiting 02:43
So what did I do? And what’re you saying? This is coming out of nowhere. And what does that mean? I mean, what does that mean? Yes, I hear you, but I don’t understand – are we not fine? So it’s just a fling. So it’s just some silly little thing we’ll both forget. Well, that’s just the thing – you can leave but I’m not giving up just yet. Won’t you be mine? I’ll be waiting for you until you take me back. And show your teeth if you have to. You can leave – if you’ve gotta get, then you’ve gotta go. And let your lungs at the ceiling. But can’t you shake this feeling from your weary mind? Then we’ll be fine. And I’ll be waiting for you until you take me back. Why do you always look so sad now? Don’t forget just what we have, now. I don’t know if you want me completely, but this is what I wanted for me and I’ll be waiting for you until you take me back.
3.
Ready Now 01:32
I am ready, I am ready, I am ready now.
4.
Over Again 05:05
Wrapped up in each other on a Sunday night, we’ve shut the doors and we’ve closed the blinds and you call me “honey” like you always do. “Honey, honey, can you tell me what’s on your mind? Is there a reason you won’t meet my eyes? What’s wrong?” You’re asking, so I tell you. God damn, well, I did it wrong. I did it again. Is this the end? I guess I said it first… I’d take it back, as if I hadn’t quite yet done enough. I didn’t mean it. Hey, let’s do it over again. I guess you weren’t expecting all the things I said; you’re using your hands to try and hide your head, but I know – I can see it in your shoulders. And now I’m realizing I didn’t really think this though. I start to crumble as I’m watching you, and I know that I won’t get another chance. God damn, well, I did it wrong. I did it again. Is this the end? I guess I said it first… I’d take it back, as if I hadn’t quite yet done enough. I didn’t mean it. I didn’t mean it. I didn’t mean it. Hey, let’s do it over again. Hey, let’s do it over again and again and again. Hey, let’s do it over again. Let’s do it again.
5.
(...) 01:30
6.
Used 03:35
Take what you want and give when you have to; I kind of like the way we tear apart. And we can talk it out again and we can call it more than friends… Just keep telling me it’s all okay, and I will take you at your word. Get what you asked for; do you really still need more? See I’ve been pulling teeth to try and catch you with a smile. You just keep telling me it’s all okay, and I will take you at your word. I’ve been messing with you and you’ve been messing with me and we’ve been doing this for far too long, so keep your story to yourself. It’s time to try for something else. We’ve been doing this for far too long. But I will take you at your word. And I’ve never felt so dumb, but I love the way you used me, I do. And I want you to. Yeah, I want you, too. Do you want me at all?
7.
Giving Up 06:36
So this is how it started: I saw the same stars in your eyes, the same as it ever was back then. And this is how it started: I thought it was true; I believed. The same as it ever was back then. So this is how we parted: you just had to let me down. The same as it ever was back then. And this is how we parted: it’s better to want than to have. The same as it ever was back then. I swear, one of these days, I’m going to run out of truths. Maybe you’ve been here, too. That’s enough – I’ve given up on me and, now, on you. So this is how we parted: I didn’t even know. The same as it ever was back then. Another broken heart was just par for the course, the same as it ever was back then. I swear, one of these days, I’m going to run out of truths. Maybe you’ve been here, too. That’s enough – I’ve given up on me and, now, on you.
8.
Coats 04:45
Do you remember the night that we looked at the lights from years ago? It takes me far away: a time when I believed in dreams; I thought the truth was what it seemed, or what I’d been told. In your car, I left my hands on the wheel. She made me feel so far away from you, and I do. How she wrapped herself up in me like a coat, that night. How she shed me just as easily, and I guess that was my fault, too. That was my fault, too.

about

Pulling Teeth came about as easily as the title might imply. These songs were written over the course of tumultuous and ultimately terminal romance, captured moments of the un-tempered excitement of first love – and its eventual loss. In a soft-spoken earnestness that cuts through swelling horn lines and confessional guitars, Pulling Teeth tells of the inevitable loss of innocence that accompanies lost love. Pulling Teeth is the full-length debut of VT-based indie art rock band The Giant Peach.

___


There are so many people without whom this would not have been possible, but the person I cannot thank enough is Max Shashoua. We did it, buddy.

Special thanks to my family, every one of you, but especially Conrad and Emily for always listening and Uncle Chris, who taught me to play guitar; to Jasper Sloan Yip for his mentorship and his friendship; to Mike Dash for the same; to Stuart Warren and Daniel Scharstein, both of whom played drums on many of these songs far before they'd taken shape; to Emily Shearman for her advice and excitement; to the members of The Giant Peach, whether they're on here or not -- Jacob and Gloria; to Hannah Blackburn; and to Marykate Melanson. Thank you for coming on this journey with me.

This project was supported by Doug Albregts, Laura Corbet, William Cuneo, Yeager V. Anderson, Susan Duncan, Nathaniel Durfee, Joshua Goldenberg, Jeff Hill, Edward and Kim Hsiang, Levik Gastello Khodaverdy, Claire Marx, Michael John Nunziante, Cynthia Eun-Young Park, Dana Pogorzelski, Maria and Raul Rico, Joao Ritter, Emily Shearman, Barbara Sokollek, Bill and Mary Ellen Theel, Gina Madeline Tomarchio, Devon Mari Tomasi, and Robert and Nancy Yasuda.

(c) 2018 Harrison Wood Hsiang
www.thegiantpeachband.com

credits

released April 21, 2018

Harrison Wood Hsiang // guitar, slide guitar (5, 6), keys, upright bass (5, 6), vocals
Max Shashoua // guitar (1, 4), bass, drums (1, 2, 4, 7), vocals (2, 3)
Mike Nunziante // slide guitar (2, 7), vocals (3)
Stuart Warren // drums (3)
Pete Hayes // trumpet
Drew Gorin // saxophone
Christiana Zollner // violin
Robinson Morse // upright bass (8)
Lucas Adler // drums (8)
Jasper Sloan Yip // vocals (1)
Emily Hsiang // vocals (2)
Fiona Sullivan // vocals (1, 2, 3, 6)
Amy Jo Weaver // vocals (4)
Emily Shearman // vocals (8)

All songs written by Harrison Wood Hsiang.
Produced by Harrison Wood Hsiang, Max Shashoua, and Conrad Hsiang.
Recorded by Harrison Wood Hsiang and Max Shashoua at Middlebury College in Middlebury VT, except "Coats," recorded at Meadowlark Studios in Williston VT.
Mixed by Harrison Wood Hsiang and Jacob McCaslin.
Mastered by Jacob McCaslin.
Album artwork by Harrison Wood Hsiang

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The Giant Peach Burlington, Vermont

The Giant Peach is an indie art rock band from Middlebury VT. Their music captures a bitter-sweetness wrestled into songs late at night. United from disparate backgrounds in folk, blues, and jazz, the members of The Giant Peach came together to render these tales of stubborn love, mistakes, and repeated carelessness with a cutting honesty and an unexpected joy. ... more

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